
| To honor her intuition, Deborah Hay created a 2013 sabbatical for herself and the DHDC. After 52 years of striving, not striving for one year is a way to restore her thinly stretched body/mind balance. In 2014 she looks forward to putting into practice all her learning. |
FUSEBOX Festival 2013, Austin Texas On Jeanine Durning (performs No Time to Fly): On Ros Warby (performs Fire): "Warby's dances are among the most communicative around, assiduous to the nth degree and never pretentious." As Holy Sites Go/Duet Based on her acclaimed No Time to Fly (2010), which marked Hay's return to solo performance, As Holy Sites Go/duet originally began as a trio and has been adapted as a duet for two of the world's top contemporary choreographers--Jeanine Durning and Ros Warby. This past year the duet has been performed at Dancespace Project (NYC) and the Walker Art Center (Minneapolis) to great critical success.
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FUSEBOX Festival 2013, Austin Texas Motion Bank is a research project of The Forsythe Company working with a select group of artists on the development of digital scores to be published on-line by the end of 2013. The main aim of the research is to explore the potential of computer-based tools and techniques to translate choreographic principles into new resources to be interacted with from diverse perspectives including dance education and digital arts practices. Renown Austin-based choreographer Deborah Hay is the first artist invited to participate in the project.
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Deborah Hay collaborates with the William Forsythe Company in the Motion Bank Project A fount of information technologies will soon be available on the internet through the work of an exclusive group of digital media date artist/experts developing new means to inform/teach/enlighten audience/dancer/choreographer on the various ways dances are choreographed and performed. Following Deborah Hay, Jonathan Burrows and Matteo Fangion, and then Bebe Miller will engage their individual processes with the digital media artists, creating new technologies beside the ones already invented/developed/used. Click here for more details. From the Frankfurter Rundschau Deborah Hay’s choreography appears extremely adept—more originality is hard to imagine—a hushed, intricate provocation to the audience.
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