By Deborah Hay

O Beautiful. Institute for Choreography and Dance (ICD) volume 1

What if Now is? Contact Quarterly, vol 27 no.1 winter/spring 2002

Performance as Practice. Dance Theater Journal, The voice of Dance. vol. 17 no.2, 2001

Performance as Practice. Movement Research Journal 23, Fall/Winter 2001

VoilĂ : a Dance Libretto. Performing Arts Journal 63, September 1999

Remaining Positionless; Stretching the Practice; Notes on Snakeskin's Girl, Excerpts from Lamb at the Altar: The Story of a Dance. Contact Quarterly_____

Lamb, lamb, lamb... A Movement Libretto for 42 Individuals. Introduction by Ann Daly. The Drama Review._____

Letters to my Daughter. The Drama Review

Whole Point Space no.1 (The age of the Avant Garde). The Performing Arts Journal

Wavelengths or Telephone Wires. The Drama Review, Spring 1992


About Deborah Hay

Ann Daly. Horse, Rider, Woman, Playing, Dancing. An Interview with Deborah Hay. Performing Arts Journal 63, September 1999

Yvonne Rainer. Notes on Two Dances by Deborah Hay. Ikon 1, February 1967

Bill Jeffers. Leaving the House. The Solo Performances of Deborah Hay. The Drama Review.

Rachel Fensham. Writing on Dance, 9.

Judy Burns. The Man Who Grew Common in Wisdom. Women and Performance Journal

Bill Bissel. Communities of Consciousness and the Begetting of Deborah Hay. The Pew Center for Arts and Heritage, Dance Advance, October2012